#N canvas 823 297 791 704 12;
#N canvas 0 22 450 300 (subpatch) 0;
#X array mlab2 242868 float 2;
#X coords 0 1 242868 -1 200 140 1 0 0;
#X restore 291 29 graph;
#X obj 290 220 soundfiler;
#X floatatom 290 246 5 0 0 0 - - -;
#X obj 348 272 expr 44100 / $f1;
#X obj 290 329 *~;
#X obj 290 303 phasor~;
#X obj 47 370 phasor~;
#X floatatom 47 345 5 0 0 0 - - -;
#X obj 46 512 *~ 256;
#X obj 290 507 samphold~;
#X obj 47 593 +~;
#X obj 47 672 dac~;
#X text 538 194 load sound file;
#X text 342 246 size of sound file;
#X text 357 303 runs at original speed;
#X text 45 325 playback speed you want;
#X text 105 500 window \, here 256;
#X text 103 519 samples in size;
#X obj 551 143 openpanel;
#X obj 571 109 bng 15 250 50 0 empty empty empty 17 7 0 10 -262144
-1 -1;
#X msg 290 190 read -resize \$1 mlab2;
#X text 288 566 converters to eliminate variations in input signal
that can corrupt the conversion process;
#X text 317 380 After a grain is played \, there is a jump to the next
position \; this position is taken from the current position of the
"main indicator". There is a special object to accomplish this;
#X obj 47 628 tabread4~ mlab2;
#X floatatom 89 447 5 0 0 0 - - -;
#X floatatom 236 279 5 0 0 0 - - -;
#X text 333 641 modified from the original patch by Johannes Kreidler
Sound and Music Interaction course 2015;
#X text 378 482 each sample point is reproduced in differetn speed
;
#X text 372 499 sound is fractioned becaouse it shortens every spample
;
#X text 365 525 it stores the sample and and we effect speed;
#X text -28 540 the window is the range of samples to;
#X text -8 567 effect;
#X connect 1 0 2 0;
#X connect 2 0 4 1;
#X connect 2 0 3 0;
#X connect 3 0 5 0;
#X connect 4 0 9 0;
#X connect 5 0 4 0;
#X connect 6 0 8 0;
#X connect 6 0 9 1;
#X connect 7 0 6 0;
#X connect 8 0 10 0;
#X connect 9 0 10 1;
#X connect 10 0 23 0;
#X connect 18 0 20 0;
#X connect 19 0 18 0;
#X connect 20 0 1 0;
#X connect 23 0 11 0;
#X connect 23 0 11 1;
#X connect 24 0 8 1;
#X connect 25 0 5 0;