publications

A. Peer-reviewed scientific articles

A1. Journal articles (refereed)


“Musical intra-actions with digital musical instruments”, 2024

Tahiroğlu, K.
Journal of New Music Research 53 (1-2), 126-138

[open access]To cite this article: Tahiroğlu, K. (2024). Musical intra-actions with digital musical instruments. Journal of New Music Research, 53(1-2), 126-138, DOI: 10.1080/09298215.2024.2442350
“Introduction to the special issue of technoscientific practices of music: critical implications of new technologies”, 2024

Tahiroğlu, K. & Wyse, L.
Journal of New Music Research 53 (1-2), 1-4

[open access]To cite this article: Tahiroğlu, K., & Wyse, L. (2024). Introduction to the special issue of technoscientific practices of music: critical implications of new technologies. Journal of New Music Research, 53(1-2), 1-4, DOI: 10.1080/09298215.2025.2452072
“Ever-shifting roles in building, composing and performing with digital musical instruments”, 2021

Tahiroğlu, K.
Journal of New Music Research 50 (2), 155-164

[open access]To cite this article: Tahiroğlu, K. (2021). Ever-shifting roles in building, composing and performing with digital musical instruments, 50(2), 155-164, DOI: 10.1080/09298215.2021.1900275
“Introduction to the special issue on socio-cultural role of technology in digital musical instruments”, 2021

Tahiroğlu, K. & Magnusson, T.
Journal of New Music Research 50 (2), 117-120

[open access]To cite this article: Tahiroğlu, K. & Magnusson, T. (2021) Introduction to the special issue on socio-cultural role of technology in digital musical instruments, Journal of New Music Research, 50:2, 117-120, DOI: 10.1080/09298215.2021.1907421
“Design strategies for a hybrid video synthesizer”, 2021

Sen, S., Do Nascimento Correia, N. & Tahiroğlu, K.
EAI Endorsed Transactions on Creative Technologies (ct 18):e3. ISSN 2409-9708

[open access]To cite this article: Sen, S., Do Nascimento Correia, N. & Tahiroğlu, K. (2021). Design strategies for a hybrid video synthesizer. EAI Endorsed Transactions on Creative Technologies (ct 18):e3. ISSN 2409-9708 (doi:10.4108/eai.19-3-2021.169038)
“Digital Musical Instruments as Probes: How computation changes the mode-of-being of musical instruments”, 2020

Tahiroğlu, K., Magnusson, T., Parkinson, A., Garrelfs, I., Tanaka, A.
Organised Sound 25, 1, Cambridge University Press.

[open access]To cite this article: Tahiroğlu, K., Magnusson, T., Parkinson, A., Garrelfs, I., Tanaka, A. (2020). Digital Musical Instruments as Probes: How computation changes the mode-of-being of musical instruments. Organised Sound 25, 1.
“Idiomatic Patterns and Aesthetic Influence in Computer Music Languages”, 2020

McPherson, A., Tahiroğlu, K.
Organised Sound 25, 1, Cambridge University Press.

[open access]To cite this article: McPherson, A., Tahiroğlu, K. (2020). Idiomatic Patterns and Aesthetic Influence in Computer Music Languages. Organised Sound 25, 1.
“Investigating Tangential Access for Location-Based Digital Cultural Heritage Applications”, 2019

McGookin, D., Tahiroğlu, K., Vaittinen, T., Kytö, M., Monastero, B., Vasquez, J.C.
International Journal of Human-Computer Studies 122, 196-210

[open access]To cite this article: McGookin, D., Tahiroğlu, K., Vaittinen, T., Kytö, M., Monastero, B., Vasquez, J.C. (2019). Investigating Tangential Access for Location-Based Digital Cultural Heritage Applications. International Journal of Human-Computer Studies 122, 196-210.
“Facilitating the Musician’s Engagement with New Musical Interfaces: Counteractions in Music Performance”, 2017

Tahiroğlu, K., Vasquez, J.C., Kildal, J.
Computer Music Journal 41, 2, MIT Press

[CMJ link]To cite this article: Tahiroğlu, K., Vasquez, J.C., Kildal, J. (2017). Facilitating the Musician’s Engagement with New Musical Interfaces: Counteractions in Music Performance. Computer Music Journal 41, 2.
“Sound in New Media and Design Studies”, 2014

Tahiroğlu, K., Özcan, O., Ikonen, A.
Design Issues 30, 2, 56-66, MIT Press

[MIT Press link]To cite this article: Tahiroğlu, K., Özcan, O., Ikonen, A. (2014). Sound in New Media and Design Studies. Design Issues 30, 2, 56-66.
“Demo Hour”, 2014

Tahiroğlu, K., Wikström, V., Overstall, S., Svedström, T., Kildal, J., Ahmaniemi, T., Long, K., et al.
Interactions 21, 1, 10-13, ACM New York

[free access]To cite this article: Tahiroğlu, K., Wikström, V., Overstall, S., Svedström, T., Kildal, J., Ahmaniemi, T., Long, K., et al. (2014). Demo Hour. Interactions 21, 1, 10-13.
“Design and Evaluation of Human-Computer Rhythmic Interaction in a Tutoring System”, 2011

Jylhä, A., Ekman, I., Erkut, C., Tahiroğlu, K.
Computer Music Journal 35, 2, 36-48, MIT Press

[CMJ link]To cite this article: Jylhä, A., Ekman, I., Erkut, C., Tahiroğlu, K. (2011). Design and Evaluation of Human-Computer Rhythmic Interaction in a Tutoring System. Computer Music Journal 35, 2, 36-48.
“Exploring Notions of Control / Interaction in Improvisation Practices”, 2010

Tahiroğlu, K.
Leonardo Music Journal 20, 97-97, Cambridge

[LMJ link]To cite this article: Tahiroğlu, K. (2010). Exploring Notions of Control / Interaction in Improvisation Practices. Leonardo Music Journal 20, 97.
“SolarDuo Project”, 2006

Tahiroğlu, K., Lyytikäinen, J.
A Minima, 17 (1), 56-61

To cite this article: Tahiroğlu, K., Lyytikäinen, J. (2006). SolarDuo Project. A Minima, 17 (1), 56-61.



A3. Book sections and chapters in research books (refereed)


“Evolving musical expectations: Mutual correlation between a human musician and an AI musical instrument”, 2022

Tahiroğlu, K.
In Embodied gestures (pp. 30-36). TU Wien Academic Press.

[open access]To cite this article: Tahiroğlu, K. (2022). Evolving musical expectations: Mutual correlation between a human musician and an AI musical instrument. In Embodied gestures (pp. 30-36). TU Wien Academic Press.
“Mobile music making paradigm: towards a new culture of use”, 2016

Tahiroğlu, K.
In Alexander Refsum Jensenius & Michael Lyons (Eds.), A NIME Reader: Fifteen Years of New Interfaces for Musical Expression, Current Research in Systematic Musicology, Vol. 3, Springer

[open access]To cite this article: Tahiroğlu, K. (2016). Mobile music making paradigm: towards a new culture of use. In Alexander Refsum Jensenius & Michael Lyons (Eds.), A NIME Reader: Fifteen Years of New Interfaces for Musical Expression, Vol. 3, Springer.
“An Embodied Approach to Collaborative Music Practice”, 2014

Tahiroğlu, K., Nesfield, J.
In Mika Elo & Miika Luoto (Eds.), Senses of Embodiment: Art, Technics, Media, 69-83, Peter Lang, Bern

To cite this article: Tahiroğlu, K., Nesfield, J. (2014). An Embodied Approach to Collaborative Music Practice. In Mika Elo & Miika Luoto (Eds.), Senses of Embodiment: Art, Technics, Media, 69-83. Peter Lang, Bern.



A4. Articles in refereed conference proceedings


“Latent Spaces as Platforms for Sonic Creativity", 2024

Tahiroğlu, K., Wyse, L.
International Conference on Computational Creativity, ICCC’24

[open access]To cite this paper: Tahiroglu, K., & Wyse, L. (2024). Latent Spaces as Platforms for Sonic Creativity. In Proceedings of the 16th International Conference on Computational Creativity, ICCC (Vol. 24).
“Dance Movement and Sound Cross-Correlation; Synthesis Parameters on the Micro and Meso Musical Time Scales”, 2024

Koruga, A. & Tahiroğlu, K.
Proceedings of the 19th International Audio Mostly Conference: Explorations in Sonic Cultures

[open access]To cite this paper: Koruga, A., & Tahiroğlu, K. (2024, September). Dance Movement and Sound Cross-Correlation; Synthesis Parameters on the Micro and Meso Musical Time Scales. In Proceedings of the 19th International Audio Mostly Conference: Explorations in Sonic Cultures (pp. 445-456).
“Deep learning with audio: An explorative syllabus for music composition and production”, 2023

Tahiroğlu, K., Wang, S., Tampu, E., & Lin, J.
The International Conference on AI and Musical Creativity 2023.

[open access]To cite this paper: Tahiroğlu, K., Wang, S., Tampu, E., & Lin, J. (2023). Deep learning with audio: An explorative syllabus for music composition and production. In Proceedings of the International Conference on AI and Musical Creativity.
“Augmented Granular Synthesis Method for GAN Latent Space with Redundancy Parameter”, 2022

Tahiroğlu, K., & Kastemaa, M.
International Conference on AI Music Creativity 122, 196-210.

[open access]To cite this paper: Tahiroğlu, K., & Kastemaa, M. (2022, September). Augmented Granular Synthesis Method for GAN Latent Space with Redundancy Parameter. In Proceedings of the Conference on AI Music Creativity.
“AI-terity 2.0: An Autonomous NIME Featuring GANSpaceSynth Deep Learning Model”, 2021

Tahiroğlu, K. & Kastemaa, M, & Koli, O.
Proceedings of the International Conference on New Interfaces for Musical Expression

[open access]To cite this paper: Tahiroğlu, K., Kastemaa, M. & Koli, O.(2021). AI-terity 2.0: An Autonomous NIME Featuring GANSpaceSynth Deep Learning Model. In Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.3d0e9e12
“GANSpaceSynth: A Hybrid Generative Adversarial Network Architecture for Organising the Latent Space using a Dimensionality Reduction for Real-Time Audio Synthesis”, 2021

Tahiroğlu, K., Kastemaa, M, & Koli, O.
Proceedings of the 2nd Joint Conference on AI Music Creativity, 10.

[open access]To cite this paper: Tahiroğlu, K., Kastemaa, M. & Koli, O.(2021). GANSpaceSynth: A Hybrid Generative Adversarial Network Architecture for Organising the Latent Space using a Dimensionality Reduction for Real-Time Audio Synthesis. In Proceedings of the 2nd Joint Conference on AI Music Creativity, 10.
“Al-terity: Non-Rigid Musical Instrument with Artificial Intelligence Applied to Real-Time Audio Synthesis”, 2020

Tahiroğlu, K. & Kastemaa, M, & Koli, O.
Proceedings of the International Conference on New Interfaces for Musical Expression

[open access]To cite this paper: Tahiroğlu, K., Kastemaa, M. & Koli, O.(2020). AI-terity 2.0: Al-terity: Non-Rigid Musical Instrument with Artificial Intelligence Applied to Real-Time Audio Synthesis. In Proceedings of the International Conference on New Interfaces for Musical Expression (pp. 337-342). DOI: 10.5281/zenodo.4813402.
“Sounding Brush: A Tablet based Musical Instrument for Drawing and Mark Making”, 2020

Sourya, S., Tahiroğlu, K., & Lohmann, J.
Proceedings of the International Conference on New Interfaces for Musical Expression

[open access]To cite this paper: Sourya, S., Tahiroğlu, K., & Lohmann, J.(2020). Sounding Brush: A Tablet based Musical Instrument for Drawing and Mark Making. In Proceedings of the International Conference on New Interfaces for Musical Expression (pp. 331–336). DOI: 10.5281/zenodo.4813398
“Contextualising Idiomatic Gestures in Musical Interactions with NIMEs”, 2018

Tahiroğlu, K., Gurevich, M., Knapp, R.B.
Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), Blacksburg, Virginia, USA

[open access]To cite this article: Tahiroğlu, K., Gurevich, M., Knapp, R.B. (2018). Contextualising Idiomatic Gestures in Musical Interactions with NIMEs. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), Blacksburg, Virginia, USA. DOI: 10.5281/zenodo.1302701
“Cultural Heritage ’In-The-Wild’: Considering Digital Access to Cultural Heritage in Everyday Life”, 2018

McGookin, D., Tahiroğlu, K., Vaittinen, T., Kytö, M., Monastero, B., Vasquez Gomez
Proceedings of the International Conference on Digital Humanities in the Nordic Countries (DHN)

[open access]To cite this article: McGookin, D., Tahiroğlu, K., Vaittinen, T., Kytö, M., Monastero, B., Vasquez Gomez (2018). Cultural Heritage ’In-The-Wild’: Considering Digital Access to Cultural Heritage in Everyday Life. In Proceedings of the International Conference on Digital Humanities in the Nordic Countries (DHN).
“Exploring Seasonality in Mobile Cultural Heritage Applications”, 2017

McGookin, D., Tahiroğlu, K., Vaittinen, T., Kytö, M., Monastero, B., Vasquez Gomez
Proceedings of the 35th Annual ACM Conference on Human Factors in Computing Systems (CHI). ACM

[ACM link]To cite this article: McGookin, D., Tahiroğlu, K., Vaittinen, T., Kytö, M., Monastero, B., Vasquez Gomez (2017). Investigating Seasonality in Mobile Cultural Heritage Applications. In Proceedings of the 35th Annual ACM Conference on Human Factors in Computing Systems (CHI '17). Association for Computing Machinery, New York, NY, USA, 6101–6105. https://doi.org/10.1145/3025453.3025803
“Monitoring and Supporting Engagement in Skilled Tasks: From Creative Musical Activity to Psychological Wellbeing”, 2017

Vasquez, J.C., Tahiroğlu, K., Pöllönen, N., Kildal, J., Ahmaniemi, T.
Proceedings of the 14th Sound and Music Computing Conference, SMC, Aalto University, Finland

[open access]To cite this article: Vasquez, J.C., Tahiroğlu, K., Pöllönen, N., Kildal, J., Ahmaniemi, T. (2017). Monitoring and Supporting Engagement in Skilled Tasks: From Creative Musical Activity to Psychological Wellbeing. In Proceedings of the 14th Sound and Music Computing Conference, SMC, Aalto University, Finland.
“Idiomatic Composition Practices for New Musical Instruments: Context, Background and Current Applications”, 2017

Vasquez, J.C., Tahiroğlu, K., Kildal, J.
Proceedings of New Interfaces for Music Expression (NIME), Aalborg University Copenhagen, Denmark

[open access]To cite this article: Vasquez, J.C., Tahiroğlu, K., Kildal, J. (2017). Idiomatic Composition Practices for New Musical Instruments: Context, Background and Current Applications. In Proceedings of New Interfaces for Music Expression (NIME), Aalborg University Copenhagen, Denmark.
“Non-intrusive Counter-actions: Maintaining Progressively Engaging Interactions for Music Performance”, 2016

Tahiroğlu, K., Vasquez, J.C., Kildal, J.
Proceedings of New Interfaces for Music Expression (NIME), Griffith University, Brisbane, Australia

[open access]To cite this article: Tahiroğlu, K., Vasquez, J.C., Kildal, J. (2016). Non-intrusive Counter-actions: Maintaining Progressively Engaging Interactions for Music Performance. In Proceedings of New Interfaces for Music Expression (NIME), Griffith University, Brisbane, Australia.
“Materiality for Musical Expressions: an Approach to Interdisciplinary Syllabus Development for NIME”, 2016

Lindell, R., Tahiroğlu, K., Riis, M.S., Schaeffer, J.
Proceedings of New Interfaces for Music Expression (NIME), Griffith University, Brisbane, Australia

[open access]To cite this article: Lindell, R., Tahiroğlu, K., Riis, M.S., Schaeffer, J. (2016). Materiality for Musical Expressions: an Approach to Interdisciplinary Syllabus Development for NIME. In Proceedings of New Interfaces for Music Expression (NIME), Griffith University, Brisbane, Australia.
“Motivic Through-Composition Applied to a Network of Intelligent Agents”, 2016

Vasquez, J.C., Tahiroğlu, K., Kildal, J.
Proceedings of the International Computer Music Conference (ICMC), University of Arts Utrecht, Netherlands

[open access]To cite this article: Vasquez, J.C., Tahiroğlu, K., Kildal, J. (2016). Motivic Through-Composition Applied to a Network of Intelligent Agents. In Proceedings of the International Computer Music Conference (ICMC), University of Arts Utrecht, Netherlands.
“Musical Engagement that is Predicated on Intentional Activity of the Performer with NOISA Instruments”, 2015

Tahiroğlu, K., Svedström, T., Wikström, V.
Proceedings of New Interfaces for Music Expression (NIME), Baton Rouge, Louisiana, USA

[open access]To cite this article: Tahiroğlu, K., Svedström, T., Wikström, V. (2015). Musical Engagement that is Predicated on Intentional Activity of the Performer with NOISA Instruments. In Proceedings of New Interfaces for Music Expression (NIME), Baton Rouge, Louisiana, USA. DOI: 10.5281/zenodo.1179182
“NOISA: A Novel Intelligent System Facilitating Smart Interaction”, 2015

Tahiroğlu, K., Svedström, T., Wikström, V.
Proceedings of CHI 15 extended abstracts on Human factors in computing systems, ACM, Seoul, Korea Republic

[ACM Link]To cite this article: Tahiroğlu, K., Svedström, T., Wikström, V. (2015). NOISA: A Novel Intelligent System Facilitating Smart Interaction. In Proceedings of CHI 15 extended abstracts on Human factors in computing systems, ACM, Seoul, Korea Republic, 279–282. https://doi.org/10.1145/2702613.2725446
“SoundFlex: Designing Audio to Guide Interactions with Shape-Retaining Deformable Interfaces”, 2014

Tahiroğlu, K., Svedström, T., Wikström, V., Overstall, S., Kildal, J., Ahmaniemi, T.
Proceedings of the 16th International Conference on Multimodal Interaction ICMI 2014, Istanbul, Turkey

[ACM LINK]To cite this article: Tahiroğlu, K., Svedström, T., Wikström, V., Overstall, S., Kildal, J., Ahmaniemi, T. (2014). SoundFlex: Designing Audio to Guide Interactions with Shape-Retaining Deformable Interfaces. In Proceedings of the 16th International Conference on Multimodal Interaction ICMI 2014, Istanbul, Turkey, 267 - 274 https://doi.org/10.1145/2663204.2663278
“User Experience and Usage Scenarios of Audio-Tactile Interaction with Virtual Objects in a Physical Environment”, 2013

Väänänen-Vainio-Mattila, K., Suhonen, K., Kildal, J., Tahiroğlu, K., Laaksonen, J., Ahmaniemi, T.
Proceedings of the Designing Pleasurable Products and Interfaces Conference DPPI’13, Newcastle, UK

[ACM link]To cite this article: Väänänen-Vainio-Mattila, K., Suhonen, K., Kildal, J., Tahiroğlu, K., Laaksonen, J., Ahmaniemi, T. (2013). User Experience and Usage Scenarios of Audio-Tactile Interaction with Virtual Objects in a Physical Environment. Proceedings of the Designing Pleasurable Products and Interfaces Conference DPPI’13, Newcastle, UK, 67 - 76, https://doi.org/10.1145/2513506.2513514
“Composing Social Interactions for an Interactive Spatial Performance System”, 2013

Parkinson, A., Tahiroğlu, K.
Proceedings of the Sound and Music Computing Conference, Stockholm, Sweden

[open access]To cite this article: Parkinson, A., Tahiroğlu, K. (2013). Composing Social Interactions for an Interactive Spatial Performance System. Proceedings of the Sound and Music Computing Conference, Stockholm, Sweden. https://doi.org/10.5281/zenodo.850247
“Situating the Performer and the Instrument in a Rich Social Context with PESI Extended System”, 2013

Goddard, C., Tahiroğlu, K.
Proceedings of the Sound and Music Computing Conference, Stockholm, Sweden

[open access]To cite this article: Goddard, C., Tahiroğlu, K. (2013). Situating the Performer and the Instrument in a Rich Social Context with PESI Extended System. Proceedings of the Sound and Music Computing Conference, Stockholm, Sweden. https://doi.org/10.5281/zenodo.850385
“PESI Extended System: In Space, On Body, with 3 Musicians”, 2013

Tahiroğlu, K., Correia, N., Espada, M.
Proceedings of New Interfaces for Music Expression (NIME), Daejeon + Seoul, Korea Republic

[open access]To cite this article: Tahiroğlu, K., Correia, N., Espada, M. (2013). PESI Extended System: In Space, On Body, with 3 Musicians. Proceedings of New Interfaces for Music Expression (NIME), Daejeon + Seoul, Korea Republic, DOI: 10.5281/zenodo.1178666
“A practical experimentation of dependence / interdependence relationships between performers”, 2013

Tahiroğlu, K., Tanaka, A.
Proceeding of IDAF 2013 - Symbiosis Symposium, Kingston University, London, UK

To cite this article: Tahiroğlu, K., Tanaka, A. (2013). A practical experimentation of dependence / interdependence relationships between performers. Proceeding of IDAF 2013 - Symbiosis Symposium, Kingston University, London, UK.
“MARSUI: Malleable Audio-Reactive Shape-retaining User Interface”, 2013

Wikström, V., Overstall, S., Tahiroğlu, K., Kildal, J., Ahmaniemi, T.
Proceedings of In CHI’13 extended abstracts on Human factors in computing systems, ACM, Paris, France

[ACM link]To cite this article: Wikström, V., Overstall, S., Tahiroğlu, K., Kildal, J., Ahmaniemi, T. (2013). MARSUI: Malleable Audio-Reactive Shape-retaining User Interface. Proceedings of In CHI’13 extended abstracts on Human factors in computing systems, ACM, Paris, France.
“Embodied Interactions with Audio-Tactile Virtual Objects in AHNE”, 2012

Tahiroğlu, K., Kildal, J., Ahmaniemi, T., Overstall, S., Wikström, V.
Proceedings of Intl. Haptic and Auditory Interaction Design Workshop (HAID), Lund, Sweden

[springer link]To cite this article: Tahiroğlu, K., Kildal, J., Ahmaniemi, T., Overstall, S., Wikström, V. (2012). Embodied Interactions with Audio-Tactile Virtual Objects in AHNE. Proceedings of Intl. Haptic and Auditory Interaction Design Workshop (HAID), Lund, Sweden.
“Augmenting human-human interaction in mobile group improvisation”, 2012

Pugliese, R., Tahiroğlu, K., Goddard, C., Nesfield, J.
Proceedings of New Interfaces for Music Expression (NIME), Ann Arbor, Michigan, USA

[open access]To cite this article: Pugliese, R., Tahiroğlu, K., Goddard, C., Nesfield, J. (2012). Augmenting human-human interaction in mobile group improvisation. Proceedings of the International Conference on New Interfaces for Musical Expression, Ann Arbor, Michigan, USA, DOI: 10.5281/zenodo.1180573.
“A Design Approach to Engage with Audience with Wearable Musical Instruments: Sound Gloves”, 2012

Lai, C-H., Tahiroğlu, K.
Proceedings of New Interfaces for Music Expression (NIME), Ann Arbor, Michigan, USA

[open access]To cite this article: Lai, C-H., Tahiroğlu, K. (2012). A Design Approach to Engage with Audience with Wearable Musical Instruments: Sound Gloves. Proceedings of New Interfaces for Music Expression (NIME), Ann Arbor, Michigan, USA, DOI: 10.5281/zenodo.1178309
“Designing Musical Interactions for Mobile Systems”, 2012

Tahiroğlu, K., Tanaka, A., Parkinson, A., Gibson, S.
Proceedings of DIS Conference on Designing Interactive Systems, Newcastle, UK. DIS ’12

[ACM link]To cite this article: Tahiroğlu, K., Tanaka, A., Parkinson, A., Gibson, S. (2012). Designing Musical Interactions for Mobile Systems. Proceedings of DIS Conference on Designing Interactive Systems, Newcastle, UK, 807–808. https://doi.org/10.1145/2317956.2318084
“A Survey and Thematic Analysis Approach as Input to the Design of Mobile Music GUIs”, 2012

Tanaka, A., Parkinson, A., Settel, Z., Tahiroğlu, K.
Proceedings of New Interfaces for Music Expression (NIME), Ann Arbor, Michigan, USA

[open access]To cite this article: Tanaka, A., Parkinson, A., Settel, Z., Tahiroğlu, K. (2012). A Survey and Thematic Analysis Approach as Input to the Design of Mobile Music GUIs. Proceedings of New Interfaces for Music Expression (NIME), Ann Arbor, Michigan, USA, DOI: 10.5281/zenodo.1178431
“AHNE: A Novel Interface for Spatial Interaction”, 2012

Niinimäki, M., Tahiroğlu, K.
Proceedings of In CHI ’12 extended abstracts on Human factors in computing systems, ACM, Austin, Texas, USA

[ACM link]To cite this article: Niinimäki, M., Tahiroğlu, K. (2012). AHNE: A Novel Interface for Spatial Interaction. Proceedings of In CHI ’12 extended abstracts on Human factors in computing systems, ACM, Austin, Texas, USA, 1031 - 1034, https://doi.org/10.1145/2212776.2212378
“Perceived Physicality in Audio-Enhanced Force Input”, 2011

Lai, C-H., Niinimäki, M., Tahiroğlu, K., Kildal, J., Ahmaniemi, T.
Proceedings of the 13th International Conference on Multimodal Interaction ICMI 2011, Alicante, Spain

[ACM link]To cite this article: Lai, C-H., Niinimäki, M., Tahiroğlu, K., Kildal, J., Ahmaniemi, T. (2011). Perceived Physicality in Audio-Enhanced Force Input. Proceedings of the 13th International Conference on Multimodal Interaction ICMI 2011, Alicante, Spain, 287–294. https://doi.org/10.1145/2070481.2070533
“An Exploration on Mobile Interfaces with Adaptive Mapping Strategies in Pure Data”, 2011

Tahiroğlu, K.
Proceedings of the 4th International Pure Data Convention, Bauhaus-University, Weimar, Germany

[open access]To cite this article: Tahiroğlu, K. (2011). An Exploration on Mobile Interfaces with Adaptive Mapping Strategies in Pure Data. Proceedings of the 4th International Pure Data Convention, Bauhaus-University, Weimar, Germany.
“Raja: A Multidisciplinary Artistic Performance”, 2011

Ahola, T., Tahiroğlu, K., Ahmaniemi, T., Belloni, F., Ranki, V.
Proceedings of New Interfaces for Music Expression (NIME), Oslo, Norway

[open access]To cite this article: Ahola, T., Tahiroğlu, K., Ahmaniemi, T., Belloni, F., Ranki, V. (2011). Raja: A Multidisciplinary Artistic Performance. Proceedings of New Interfaces for Music Expression (NIME), Oslo, Norway, DOI: 10.5281/zenodo.1177937
“Vocal Sketching: a Prototype Tool for Designing Multimodal Interaction”, 2010

Tahiroğlu, K., Ahmaniemi, T.
Proceedings of the Conference on Multimodal Interfaces and Workshop on Machine Learning for Multimodal Interaction ICMI-MLMI Õ10, Beijing, China

[ACM link]To cite this article: Tahiroğlu, K., Ahmaniemi, T. (2010). Vocal Sketching: a Prototype Tool for Designing Multimodal Interaction. Proceedings of the Conference on Multimodal Interfaces and Workshop on Machine Learning for Multimodal Interaction ICMI-MLMI '10, Beijing, China, 1–4. https://doi.org/10.1145/1891903.1891956
“The Effect of Haptic Feedback in Vocal Sketching Experiments with a Graspable Interface”, 2010

Tahiroğlu, K., Ahmaniemi, T.
Proceedings of the 5th International Haptic and Audio Interaction Design Workshop (HAID), Copenhagen, Denmark

To cite this article: Tahiroğlu, K., Ahmaniemi, T. (2010). The Effect of Haptic Feedback in Vocal Sketching Experiments with a Graspable Interface. Proceedings of the 5th International Haptic and Audio Interaction Design Workshop (HAID), Copenhagen, Denmark.
“Dynamic Social Interaction in a Collective Mobile Music Performance”, 2009

Tahiroğlu, K.
Proceedings of Social-Com09 Workshops, The First International Workshop on Social Behavior in Music (SBM09), IEEE Computer Society, Vancouver, Canada

[IEEE link]To cite this article: Tahiroğlu, K. (2009). Dynamic Social Interaction in a Collective Mobile Music Performance. Proceedings of Social-Com09 Workshops, The First International Workshop on Social Behavior in Music (SBM09), IEEE Computer Society, Vancouver, Canada.
“Recent Advances in Exploring Self-induced Sonic Interactions in the Context of Performing Arts”, 2009

Erkut, C., Jylhä, A., Tahiroğlu, K., Ekman, I.
Proceedings of the 4th International Haptic and Auditory Interaction Design Workshop (HAID), Dresden, Germany

To cite this article: Erkut, C., Jylhä, A., Tahiroğlu, K., Ekman, I. (2009). Recent Advances in Exploring Self-induced Sonic Interactions in the Context of Performing Arts. Proceedings of the 4th International Haptic and Auditory Interaction Design Workshop (HAID), Dresden, Germany.
“iPalmas - An Interactive Flamenco Rhythm Machine”, 2009

Jylhä, A., Erkut, C., Ekman, I., Tahiroğlu, K.
Proceedings of Audio Mostly, Glasgow, Scotland, UK

To cite this article: Jylhä, A., Erkut, C., Ekman, I., Tahiroğlu, K. (2009). iPalmas - An Interactive Flamenco Rhythm Machine. Proceedings of Audio Mostly, Glasgow, Scotland, UK.
“Towards an Experimental Platform for Collective Mobile Music Performance”, 2009

Tahiroğlu, K.
Proceedings of the Sound and Music Computing Conference, Porto, Portugal

[open access]To cite this article: Tahiroğlu, K. (2009). Towards an Experimental Platform for Collective Mobile Music Performance. Proceedings of the Sound and Music Computing Conference, Porto, Portugal, https://doi.org/10.5281/zenodo.849693
“An Interactive Bio-Music Improvisation System”, 2008

Tahiroğlu, K., Drayson, H., Erkut, C.
Proceedings of the International Computer Music Conference, Belfast, N. Ireland

[open access]To cite this article: Tahiroğlu, K., Drayson, H., Erkut, C. (2008). An Interactive Bio-Music Improvisation System. Proceedings of the International Computer Music Conference, Belfast, N. Ireland.
“ClaPD: A testbed for control of multiple sound sources in interactive and participatory contexts”, 2007

Erkut, C., Tahiroğlu, K.
Proceedings of the PureData Convention 07, Montreal, Canada

[open access]To cite this article: Erkut, C., Tahiroğlu, K. (2007). ClaPD: A testbed for control of multiple sound sources in interactive and participatory contexts. Proceedings of the PureData Convention 07, Montreal, Canada.
“Generative Musical Improvisation and Machine Aesthetics”, 2005

Tahiroğlu, K.
Proceedings of the Mathematics, Art and Cultural Industry Conference, University of Calabria, Arcavacata di Rende (CS), Italy

To cite this article: Tahiroğlu, K. (2005). Generative Musical Improvisation and Machine Aesthetics. Proceedings of the Mathematics, Art and Cultural Industry Conference, University of Calabria, Arcavacata di Rende (CS), Italy.
“Generative Musical Improvisation for Participants with all kinds of Musical Backgrounds”, 2004

Tahiroğlu, K.
Proceedings of the International Conference on Generative Art (GA04), Milan, Italy

[open access]To cite this article: Tahiroğlu, K. (2004). Generative Musical Improvisation for Participants with all kinds of Musical Backgrounds. Proceedings of the International Conference on Generative Art (GA04), Milan, Italy.
“From Me to Us, a Computer Generated Music Installation”, 2004

Tahiroğlu, K.
Proceedings of the Participatory Design Conference (PDC ’04), Vol 2, Toronto, Canada

[open access]To cite this article: Tahiroğlu, K. (2004). From Me to Us, a Computer Generated Music Installation. Proceedings of the Participatory Design Conference (PDC ’04), Vol 2, Toronto, Canada.



B. Non-refereed scientific articles

B3. Non-refereed conference proceedings)


“Audio Guidance in Shaping Flexible Hardware – First Prototyping Steps”, 2013

Wikström, V., Overstall, S., Tahiroğlu, K., Kildal, J., Ahmaniemi, T.
Position paper, Organic Experiences: (Re)shaping Interactions with Deformable Displays workshop at CHI’13, Paris, France

>To cite this article: Wikström, V., Overstall, S., Tahiroğlu, K., Kildal, J., Ahmaniemi, T. (2013). Audio Guidance in Shaping Flexible Hardware – First Prototyping Steps. Position paper, Organic Experiences: (Re)shaping Interactions with Deformable Displays workshop at CHI’13, Paris, France.
“PESI: Extending Mobile Music Instruments with Social Interaction”, 2013

Correia, N., Tahiroğlu, K., Espada, M.
Work in Progress in TEI, February 10–13, 2013, Barcelona, Spain. ACM

To cite this article: Correia, N., Tahiroğlu, K., Espada, M. (2013). PESI: Extending Mobile Music Instruments with Social Interaction. Work in Progress in TEI, February 10–13, 2013, Barcelona, Spain. ACM.
“Gesture and Body in Enacting Sonic Interaction”, 2011

Tahiroğlu, K.
International Conference on Music and Gesture: 2nd Musical Itineraries Forum, October 28–29, 2011, Lisbon, Portugal

[open access]To cite this article: Tahiroğlu, K. (2011). Gesture and Body in Enacting Sonic Interaction. International Conference on Music and Gesture: 2nd Musical Itineraries Forum, October 28–29, 2011, Lisbon, Portugal.
“Audiovisual Content Generation Controlled by Physiological Signals for Clinical and Artistic Applications”, 2007

Benovoy, M., Brouse, A., Corcoran, T.G., Drayson, H., Erkut, C., Filatriau, J-J., Frisson, C., Gundoğdu, U., Knapp, B., Lehembre, R., Muhl, C., Perez, M.G.A., Sayin, A., Soleymani, M., Tahiroğlu, K.
Proceedings of the eNTERFACE’07 Workshop on Multimodal Interfaces, Istanbul, Turkey. ISBN: 978-2-87463-105-4

[open access]To cite this article: Benovoy, M., Brouse, A., Corcoran, T.G., Drayson, H., Erkut, C., Filatriau, J-J., Frisson, C., Gundoğdu, U., Knapp, B., Lehembre, R., Muhl, C., Perez, M.G.A., Sayin, A., Soleymani, M., Tahiroğlu, K. (2007). Audiovisual Content Generation Controlled by Physiological Signals for Clinical and Artistic Applications. Proceedings of the eNTERFACE’07 Workshop on Multimodal Interfaces, Istanbul, Turkey. ISBN: 978-2-87463-105-4.



D. Publications intended for professional communities


“Capture the Sound and Release it in the Air: Across the Exploratory and Extensive Sound Interactions”, 2012

Tahiroğlu, K.
Audio Mostly Conference, September 26–28, 2012. Invited keynote speech

To cite this article: Tahiroğlu, K. (2012). Capture the Sound and Release it in the Air: Across the Exploratory and Extensive Sound Interactions. Audio Mostly Conference, September 26–28, 2012. Invited keynote speech.



F. Public artistic and design activities

F1 Published independent work of art


“Iki El - Two Hands [Recorded by Koray Tahiroğlu]”, 2012

Tahiroğlu, K.
On Anthology of Turkish Electronic Music [CD]. Brussel: Sub Rosa Records. (Recording date August 2012) (commissioned artwork –international)

“Sade Gürültü [Recorded by Koray Tahiroğlu]”, 2014

Tahiroğlu, K.
On Anthology of Turkish Electronic Music [CD]. Brussel: Sub Rosa Records. (Recording date August 2012) (commissioned artwork –international)

“Sade [Recorded by Koray Tahiroğlu]”, 2010

Tahiroğlu, K.
On La-Bas Biennale [CD]. Helsinki: Aureobel 3AB-0110. (Recording date 14 March 2010) (commissioned artwork –international)

“SolarDuo Project [Recorded by Koray Tahiroğlu and Joni Lyytikäinen]”, 2006

Tahiroğlu, K. and Lyytikäinen, J.
On ctrl_alt_del [DVD]. Belgium: Gonzo Circus. (Recording date 19 September 2005) (commissioned artwork –international)

“SolarDuo Project [Recorded by Koray Tahiroğlu and Joni Lyytikäinen]”, 2005

Tahiroğlu, K. and Lyytikäinen, J.
On Art’s Birthday reverie: noise city [CD]. Vancouver: The Western Front Society. (Recording date 15 January 2005) (commissioned artwork –international)




F3 Public artistic performance or exhibition


“Communal”, 2025

Tahiroğlu, K.
Live Performance at ODDFest, 06 June 2025, Helsinki, Finland (invited art performance –national)

“Communal”, 2025

Tahiroğlu, K.
Live Performance at Akusmata Polyphonict, 04 April 2025, Helsinki, Finland (invited art performance –national)

“Communal”, 2024

Tahiroğlu, K.
Live Performance at International Conference on New Interfaces for Music Expression (NIME), 05 September 2024, Utrecht, Netherlands (refereed art performance –international)

“AI-terity - Exhibition”, 2023

Tahiroğlu, K.
AIxMusic Festival, Sónar, 15-17 June 2023, Barcelona, Spain (refereed art festival –international)

“Communal - Live Performance”, 2022

Tahiroğlu, K.
Embodied Perspectives on Musical AI, 22 November 2022, Oslo, Norway (invited art performance –international)

“Sounding Lifeworld - Live Performance”, 2022

Tahiroğlu, K.
Ars Electronica, 07 September 2022, Linz, Austria (refereed art festival –international)

“Uncertainty Etude#2”, 2021

Tahiroğlu, K.
(pre-recorded) Concert at International Conference on AI Music Creativity (refereed art performance –international)

“Uncertainty Etude#2”, 2021

Tahiroğlu, K.
Live Performance at International Conference on New Interfaces for Music Expression (NIME) (refereed art performance –international)

“InSpace with the Otherness”, 2019

Tahiroğlu, K. and Kastemaa, M.
Connecting the Dots: An AI Exhibition, Espoo, Finland (refereed art installation –national)

“NOISA - Network of Sonic Intelligent Agents - Exhibition”, 2019

Tahiroğlu, K.
AIxMusic Festival, Ars Electronica, 05-09 September 2019, Linz, Austria (refereed art festival –international)

“Weighted Blue - Live Performance”, 2019

Tahiroğlu, K.
28 March 2019, Fylkingen, Stockholm, Sweden (refereed art performance –international)

“Weighted Blue - Live Performance”, 2019

Tahiroğlu, K.
14 February 2019, EmuteLab, Brighton, UK (refereed art performance –international)

“KET Conversations”, 2018

Tahiroğlu, K. and Bjelkeborn, T.
Nordic Music Days, 09 November 2018, Helsinki, Finland (refereed art performance –international)

“Porting Self”, 2018

Tahiroğlu, K., Bjelkeborn, T., Girard-Charest É., Lloyd, E.
Live Performance, Fylkingen, 19 October 2018, Stockholm, Sweden (invited art performance –international)

“Iki El”, 2017

Tahiroğlu, K.
Live Performance at Anthology Of Turkish Experimental Music Album Launch Concert, Borusa Music House, Istanbul, Turkey (invited art performance –international)

“Algorave Tallinn”, 2017

Tahiroğlu, K.
Live Performance at Üle Heli festival, Tallinn, Estonia (invited art performance –international)

“NOISA Etude #3”, 2017

Tahiroğlu, K. and Vasquez, J.C.
Live Performance at International Conference on New Interfaces for Music Expression (NIME), 15-19 May 2017, Aalborg University Copenhagen, Denmark (refereed art performance –international)

“KET Conversations”, 2016

Tahiroğlu, K. and Bjelkeborn, T.
Audio Art Festival Krakow, 18 November 2016, Krakow, Poland (invited art performance –international)

“KET Conversations”, 2016

Tahiroğlu, K. and Bjelkeborn, T.
Växjö Festival, 20 October 2016, Växjö, Sweden (invited art performance –international)

“KET Conversations”, 2016

Tahiroğlu, K.
Live Performance at International Conference on New Interfaces for Music Expression (NIME), 11-15 July 2016, Griffith University, Brisbane, Australia (refereed art performance –international)

“KET Project”, 2016

Tahiroğlu, K. and Bjelkeborn, T.
Live Performance, Cafe OTO, 21 June 2016, London, UK (invited art performance –international)

“KET Project”, 2016

Tahiroğlu, K. and Bjelkeborn, T.
Live Performance, DASH’16 Festival, 01 June 2016, Helsinki, Finland (invited art performance –national)

“In-Hands”, 2016

Tahiroğlu, K.
Live Performance at STEIM, 05 May 2016, Amsterdam, Netherlands (invited art performance –international)

“KET Project”, 2016

Tahiroğlu, K. and Bjelkeborn, T.
Live Performance, Metanast Salford Media City, 20 April 2016, Manchester, UK (invited art performance –international)

“KET Project”, 2015

Tahiroğlu, K. and Bjelkeborn, T.
Fylkingen, 4 December 2015, Stockholm, Sweden (invited art performance –international)

“KET Project”, 2015

Tahiroğlu, K. and Bjelkeborn, T.
Gävle Theater, 22 November 2015, Gävle, Sweden (invited art performance –international)

“3 agents + 1”, 2015

Tahiroğlu, K.
Live Performance at International Conference on New Interfaces for Music Expression (NIME), 31 May - 04 June 2015, Louisiana State University, Baton Rouge, Louisiana, USA (refereed art performance –international)

“Design Can Change”, 2013

Tahiroğlu, K., Overstall S., Wikstrom, V.
International New Media Exhibition, Shenzhen, China, 12.5 - 16.6. 2013 (invited art exhibition –international)

“Perspectives on Daphne Oram”, 2013

Tahiroğlu, K.
The Pioneers of Electronic Music Festival, 06 March 2013, London, United Kingdom (invited art performance –international)

“In Hands”, 2013

Tahiroğlu, K.
Live performance at Music Hack Space, 14 February 2013, London, United Kingdom (invited art performance –international)

“Invented Instruments”, 2012

Tahiroğlu, K. and Bergmark, J.
Live Performance at Colourscape Music Festival, 03 August 2012, Turku, Finland (invited art performance –international)

“InHands: Improvisation for Mobile Phones”, 2012

Tahiroğlu, K.
Live Performance at International Conference on New Interfaces for Music Expression (NIME), 21 May 2012, Ann Arbor, Michigan, USA (Performed by Adam Parkinson) (refereed art performance –international)

“AHNE: 3D DJ Interface”, 2012

Tahiroğlu, K., Overstall, S. and Koskinen, T.
Live Performance at International Conference on Eurohaptics, 13 June 2012, Tampere, Finland (Performed by Tommi Koskinen) (invited art performance –national)

“Live Audio Cues”, 2011

Tahiroğlu, K.
Live Performance at International Pure Data Convention, 09 August 2011, Weimar, Germany (refereed art performance –international)

“Raja”, 2011

Tahiroğlu, K.
Interactive Dance Performance at Windson, 09 February 2011, London, UK (choreographer Jari Saarelainen and dancers Kiia Elonen, Nora Laitinen, Mia-Mari Sinkkonen and Nina Kivisilta) (commissioned art performance –international)

“Raja”, 2010

Tahiroğlu, K.
Interactive Dance Performance at Nokia Foundation Awards Ceremony, 11 November 2010, Helsinki, Finland (choreographer Jari Saarelainen and dancers Kiia Elonen, Nora Laitinen, Mia-Mari Sinkkonen and Nina Kivisilta) (commissioned art performance –national)

“Live Audio Cues”, 2010

Tahiroğlu, K.
Live Performance at Todays Art Festival, 25 September 2010, Den Haag, Netherlands (invited art performance –international)

“Live Audio Cues”, 2010

Tahiroğlu, K.
Live Performance at International Sound and Music Computing Conference (SMC), 22 July 2010, Barcelona, Spain (refereed art performance –international)

“LiveImprovS-”, 2010

Tahiroğlu, K.
Live Performance at Biennale Festival, 24 April 2010, Korjamo, Helsinki, Finland (invited art performance –national)

“LiveImprovS-”, 2010

Tahiroğlu, K.
Live Performance at IDKA Push Festival, 9 March 2010, Gävle, Sweden (invited art performance –international)

“LiveImprovS-”, 2009

Tahiroğlu, K.
Live Performance at Make Art Festival, 11 December 2009, Poitiers, France (refereed art performance –international)

“LiveImprovS-”, 2009

Tahiroğlu, K.
Live Performance at International Sound and Music Computing Conference (SMC), 23 July 2009, Porto, Portugal (refereed art performance –international)

“LiveImprovS-”, 2009

Tahiroğlu, K.
Live Performance at PixelIst Festival, 29 April 2009, Istanbul, Turkey (invited art performance –international)

“LiveImprovS-”, 2009

Tahiroğlu, K.
Live Performance at International Linux Audio Conference (LAC), 17 April 2009, Parma, Italy (refereed art performance –international)

“LiveImprovS-”, 2008

Tahiroğlu, K.
Live Performance at Citysense Festival, 20 September 2008, Istanbul, Turkey (invited art performance –international)

“Electro-acoustic Music Performance”, 2008

Tahiroğlu, K.
Live Performance at garajIstanbul, 13 September 2008, Istanbul, Turkey (invited art performance –international)

“Performance Blue Night”, 2007

Tahiroğlu, K.
Live Performance at garajIstanbul, 09 December 2007, Istanbul, Turkey (invited art performance –international)

“LiveImprovS-”, 2007

Tahiroğlu, K.
Live Performance at International PureData Convention, 23 August 2007, Montreal, Canada (refereed art performance –international)

“SolarDuo Project”, 2007

Tahiroğlu, K. and Lyytikäinen, J.
Live Performance at New Music Festival, 04 May 2007, Istanbul, Turkey (invited art performance –international)

“EMI Project”, 2006

Tahiroğlu, K., Cuartielles, D. and Thomas, E.
Live Performance at Piksel Festival, 13 October 2006, Bergen, Norway (refereed art performance –international)

“SolarDuo Project”, 2006

Tahiroğlu, K. and Lyytikäinen, J.
Live Performance at Ars Electronica Festival, 02 September 2006, Linz, Austria (invited art performance –international)

“ImproMasters Performance”, 2006

Tahiroğlu, K.
Live Performance at FYLKINGEN, 05 May 2006, Stockholm, Sweden (invited art performance –international)

“EMI Project”, 2006

Tahiroğlu, K., Cuartielles, D. and Thomas, E.
Live Performance at Kokoteatteri, 16 March 2006, Helsinki, Finland (refereed art performance –international)

“Art’s Birthday”, 2006

Tahiroğlu, K.
Live Performance at NoiseCity Helsinki Event, 14 January 2006, Helsinki, Finland (refereed art performance –international)

“SolarDuo Project”, 2005

Tahiroğlu, K. and Lyytikäinen, J.
Live Performance at Piksel Festival, 16-23 October 2005, Bergen, Norway (refereed art performance –international)

“SolarDuo Project”, 2005

Tahiroğlu, K. and Lyytikäinen, J.
Live Performance at 9th International Istanbul Biennial, 16-21 September 2005, Istanbul, Turkey (refereed art performance –international)

“SolarDuo Project”, 2005

Tahiroğlu, K. and Lyytikäinen, J.
Live Performance at NoiseCity Helsinki Event, 15 January 2005, Helsinki, Finland

“Improvisation”, 2004

Tahiroğlu, K.
Live Performance at International Generative Art Conference, 15 December 2004, Milan, Italy (refereed art performance –international)

“From Me to Us”, 2004

Tahiroğlu, K.
Sound Installation at International Participatory Design Conference, 29 - 31 July 2004, Toronto, Canada (refereed art performance –international)

“From Me to Us”, 2004

Tahiroğlu, K.
Sound Installation at Masters of Arts, 12 - 29 May 2004, Helsinki, Finland (refereed art installation –national)

“HCO Performance”, 2004

Tahiroğlu, K.
Live Performance at Le Bas Festival, 07 May 2004, Helsinki, Finland (invited art performance –national)




G. Theses

G2. Master’s thesis


“From Me to Us, computer-generated music installation”, 2003

Tahiroğlu, K.
Master’s theses. University of Art and Design Helsinki.

[open access]To cite this article: Tahiroğlu, K. (2003). From Me to Us, computer-generated music installation. Master’s theses. University of Art and Design Helsinki.



G4. Doctoral dissertation (monograph)


“Interactive Performance Systems: Experimenting with Human Musical Interaction”, 2008

Tahiroğlu, K.
Doctoral dissertation. University of Art and Design Helsinki.

To cite this article: Tahiroğlu, K. (2008). Interactive Performance Systems: Experimenting with Human Musical Interaction. Doctoral Dissertation. University of Art and Design Helsinki Publications, ISBN: 978-951-558-276-8.



I. Audiovisual material, ICT software

I2 ICT software


“ClaPD: a Pure Data library for hand clapping syntesis”, 2007

Erkut, C., Peltola, L. & Tahiroğlu, K.
Electronic material - Software.

[open access]To cite this article: Erkut, C., Peltola, L. and Tahiroğlu, K.: ClaPD: a Pure Data library for hand clapping syntesis. Available at http://www.acoustics.hut.fi/software/clapd/.
“UNESCO Sound of Our Water.”, 2003

Toikkanen, T., Kligyte, G., Pietarila, J., Leinonen, T., Doyun, L., Tahiroğlu, K. & Botero, A.
Electronic material - Software.

To cite this article: Toikkanen, T., Kligyte, G., Pietarila, J., Leinonen, T., Doyun, L., Tahiroğlu, K., Botero, A. (2003). UNESCO Sound of Our Water. Electronic material - Software.
SOPI Research Group
Aalto University School of Arts, Design and Architecture, Department of Art & Media, Room J102, Väre Otaniementie 14, 02150 Espoo, Finland
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