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Digital Musical Instruments (online talk) Maçka Music Technology Days V / İTÜ TMDK Müzik Teknolojisi Bölümü, February 18 2021
In digital music practices, musicianship, technology, composition and the performance environment are all often conceptualised to the degree that they become embedded in people’s musical instrument building practice, thinking about music, themselves and their relationship with their communities. This embedded … Continue reading
Uncertain Practices Ars Electronica Garden Espoo/Helsinki / 9 – 13 September 2020
Spring 2020 marked a period of enhanced uncertainty all around the world with the COVID-19 pandemic forcing societies into lockdown. The situation brought up societal and governance challenges that were further internalized into individuals’ thinking and their relationships as communities … Continue reading
Uncertainty with AI-terity (Music Performance) -Ars Electronica 2020
The composition Uncertainty was presented in Ars Electronica 2020, keeps the musician in a hesitant state of performance, providing a non-rigid but identifiable musical events, followed by ever shifting new sounds. https://ars.electronica.art/keplersgardens/en/ai-terity-music/
Al-terity: Non-Rigid Musical Instrument with Artificial Intelligence Applied to Real-Time Audio Synthesis
Our NIME 2020 publication about the AI-terity project is now open accessible online. https://www.nime.org/proceedings/2020/nime2020_paper65.pdf
Digital Musical Instruments as Probes: How computation changes the mode-of-being of musical instruments
This is another Organised Sound (Open Access) publication by Koray Tahiroğlu, Thor Magnusson, Adam Parkinson, Iris Garrelfs and Atau Tanaka. This article explores how computation opens up possibilities for new musical practices to emerge through technology design. Link tot he … Continue reading
Idiomatic Patterns and Aesthetic Influence in Computer Music Languages of musical instruments
This is an Organised Sound (Open Access) publication by Andrew McPherson and Koray Tahiroğlu. In this article we examine the ways in which computer music languages might similarly influence the aesthetic decisions of the digital music practitioner, even when those … Continue reading
InSpace with the Otherness
InSpace with the Otherness is a co-located collaboration with a deep learning algorithm. It provides embodied and spatial opportunities to exhibition visitors for musical exploration. http://sopi.aalto.fi/inspace/
Symposium on Digital Musical Interactions OODI Maijansali, Helsinki / 14 November
The symposium, Socio-Cultural Role of Technology in Digital Musical Interactions, discussed critically our relationships with music and digital musical instruments, exploring how these new relationships build embodied behaviours, expectations, beliefs, interpretations and actions in various ways we practice and act … Continue reading
Technology-assisted Creativity: from Human to Post-Human Keynote / BOZAR, Brussels 17 October 2019
In this talk Koray Tahiroğlu introduced our current research on digital musical instruments (DMIs) in which autonomous and intelligent computational features are applied to music generation with machine learning and artificial intelligence (AI) tools. https://www.aalto.fi/en/events/sustainable-transformations
AI x Music Festival / Ars Electronica 2019
Koray Tahiroğlu was invited to give a talk in AIxMusic Festival at Ars electronica on “Intelligent Sonic Agents: Otherness of Digital Musical Instruments” and a workshop on “Digital Musical Interactions” and also presented our NOISA project in AIxMusic exhibition. https://ars.electronica.art/outofthebox/en/noisa/
