List Date: 03 April 2020
A. Peer-reviewed scientific articles
A1. Journal articles (refereed)
Tahiroğlu, K., Magnusson, T., Parkinson, A., Garrelfs, I. and Tanaka, A. (2020). Digital Musical Instruments as Probes: How computation changes the mode-of-being
of musical instruments. Organised Sound, 25(1), pp. 64-74. doi:10.1017/S1355771819000475. ISSN 1355-7718 Cambridge University Press.
McPherson, A. and Tahiroğlu, K. (2020). Idiomatic Patterns and Aesthetic Influence in Computer Music Languages. Organised Sound, 25(1), 53-63. doi:10.1017/S1355771819000463. ISSN 1355-7718 Cambridge University Press.
McGooking, F., Tahiroğlu, K., Vaittinen, T., Kytö, M., Monastero, B., Vasquez, J (2019). Investigating tangential access for location-based digital cultural heritage applications. International Journal of Human-Computer Studies 122, 196-210.
Tahiroğlu,K., Vasquez, J.C., Kildal, J. (2017). Facilitating the Musician’s Engagement with New Musical Interfaces: Counteractions in Music Performance. Computer Music Journal 41, 2, 69-82, MIT Press.
Tahiroğlu,K., Özcan,O., Ikonen, A.(2014). Sound in New Media and Design Studies. Design Issues 30, 2, 56-66 MIT Press.
Tahiroğlu, K., Wikström, V., Overstall, S., Svedström, T., Kildal, J., Ahmaniemi, T., Long, K. et al. (2014). Demo Hour. Interactions 21, 1, 10-13 ACM New York.
Jylhä, A., Ekman, I.,Erkut, C., Tahiroğlu, K. (2011). Design and Evaluation of Human-Computer Rhythmic Interaction in a Tutoring System. Computer Music Journal 35, 2, 36-48, MIT Press.
Tahiroğlu, K. (2010). Exploring Notions of Control / Interaction in Improvisation Practices. Leonardo Music Journal 20, 97-97, Cambridge.
Tahiroğlu, K. and Lyytikäinen, J. (2006). SolarDuo Project. A Minima, 17(1), 56-61.
A3. Book sections and chapters in research books
Tahiroğlu, K. (2017). Mobile music making paradigm: towards a new culture of use. Alexander Refsum Jensenius and Michael Lyons editors, A NIME Reader: Fifteen Years of New Interfaces for Musical Expression, Current Research in Systematic Musicology, Vol. 3, Springer.
Tahiroğlu, K. and Nesfield J. (2014). An Embodied Approach to Collaborative Music Practice. Chapter in Mika Elo and Miika Luoto editors, Senses of Embodiment: Art, Technics, Media, 69-83, Peter Lang, Bern.
A4. Articles in refereed conference proceedings
Tahiroğlu, K., Kastemaa, M., Koli, O. (2020). Al-terity: Non-Rigid Musical Instrument with Artificial Intelligence Applied to Real-Time Audio Synthesis. Proceedings of New Interfaces for Music Expression (NIME) Royal Birmingham Conservatoire, UK.
Sen, S., Tahiroğlu, K., Lohmann, J. (2020) Sounding Brush: A Tablet based Musical Instrument for Drawing and Mark Making. Proceedings of New Interfaces for Music Expression (NIME) Royal Birmingham Conservatoire, UK.
Tahiroğlu, K., Gurevich, M., Knapp, RB (2018). Contextualising Idiomatic Gestures in Musical Interactions with NIMEs, Proceedings of New Interfaces for Music Expression (NIME) Blacksburg, Virginia, USA.
McGookin, D., Tahiroğlu, K., Vaittinen, T., Kytö, M., Monastero, B. & Vasquez Gomez (2018). Cultural Heritage ‘In-The-Wild’: Considering Digital Access to Cultural Heritage in Everyday Life. Proceedings of the International Conference on Digital Humanities in the Nordic Countries (DHN)
McGookin, D., Tahiroğlu, K., Vaittinen, T., Kytö, M., Monastero, B. & Vasquez Gomez (2017). Investigating Seasonality in Mobile Cultural Heritage Applications. Proceedings of the 35th Annual ACM Conference on Human Factors in Computing Systems (CHI). ACM
Vasquez, J.C., Tahiroğlu, K., Kildal, J (2017). Idiomatic Composition Practices for New Musical Instruments: Context, Background and Current Applications, Proceedings of New Interfaces for Music Expression (NIME) Aalborg University Copenhagen, Denmark.
Vasquez, J. C., Tahiroğlu, K., Pöllönen, N., Kildal, J., Ahmaniemi, T. (2017). Monitoring and Supporting Engagement in Skilled Tasks: From Creative Musical Activity to Psychological Wellbeing. Proceedings of the Sound and Music Computing Conference. Aalto University, Finland.
Tahiroğlu, K., Vasquez, J.C., Kildal, J (2016). Non-intrusive Counter-actions: Maintaining Progressively Engaging Interactions for Music Performance, Proceedings of New Interfaces for Music Expression (NIME) Griffith University, Brisbane, Australia.
Lindell, R., Tahiroğlu, K., Riis, M.S., Schaeffer, J. (2016). Materiality for Musical Expressions: an Approach to Interdisciplinary Syllabus Development for NIME, Proceedings of New Interfaces for Music Expression (NIME) Griffith University, Brisbane, Australia.
Vasquez, J.C., Tahiroğlu, K., Kildal, J (2016). Motivic Through-Composition Applied to a Network of Intelligent Agents, Proceedings of the International Computer Music Conference (ICMC) University of Arts Utrecht, Netherland.
Tahiroğlu, K., Svedström, T., Wikström, V. (2015). Musical Engagement that is Predicated on Intentional Activity of the Performer with NOISA Instruments, Proceedings of New Interfaces for Music Expression (NIME) Louisiana State University, Baton Rouge, Louisiana, USA.
Tahiroğlu, K., Svedström, T., Wikström, V. (2015). NOISA: A Novel Intelligent System Facilitating Smart Interaction. Proceedings of CHI 15 extended abstracts on Human factors in computing systems, ACM, Seoul, Korea Republic.
Tahiroğlu, K., Svedström, T., Wikström, V., Overstall, S., Kildal, J., Ahmaniemi, T. (2014). SoundFlex: Designing Audio to Guide Interactions with Shape-Retaining Deformable Interfaces. Proceedings of the 16th International Conference on Multimodal Interaction ICMI 2014, Istanbul, Turkey.
Väänänen-Vainio-Mattila, K., Suhonen, K., Kildal, J., Tahiroğlu, K., Laaksonen, J. and Ahmaniemi, T. (2013). User Experience and Usage Scenarios of Audio-Tactile Interaction with Virtual Objects in a Physical Environment. Proceedings of the Designing Pleasurable Products and Interfaces Conference DPPI’13, Newcastle, UK.
Parkinson, A. and Tahiroğlu, K. (2013). Composing Social Interactions for an Interactive-Spatial Performance System. Proceedings of the Sound and Music Computing Conference. Stockholm, Sweden.
Goddard, C. and Tahiroğlu, K. (2013). Situating the Performer and the Instrument in a Rich Social Context with PESI Extended System. Proceedings of the Sound and Music Computing Conference. Stockholm, Sweden.
Tahiroğlu, K., Correia, N. and Espada M. (2013). PESI Extended System: In Space, On Body, with 3 Musicians. Proceedings of New Interfaces for Music Expression (NIME), Daejeon + Seoul, Korea Republic.
Tahiroğlu, K. and Tanaka A. (2013). A practical experimentation of dependence / interdependence relationships between performers. Proceeding of IDAF 2013 – Symbiosis Symposium, Kingston University, London, UK.
Wikström, V., Overstall S., Tahiroğlu, K., Kildal, J. and Ahmaniemi, T. (2013). MARSUI: Malleable Audio-Reactive Shape-retaining User Interface. Proceedings of In CHI 13 extended abstracts on Human factors in computing systems , ACM, Paris, France.
Tahiroğlu, K., Kildal, J., Ahmaniemi, T., Overstall, S., Wikström, V. (2012). Embodied Interactions with Audio-Tactile Virtual Objects in AHNE. Proceedings of Intl. Haptic and Auditory Interaction Design Workshop (HAID), Lund, Sweden.
Pugliese, R., Tahiroğlu, K., Goddard, C., Nesfield, J. (2012). A Qualitative Evaluation of Augmented Human-Human Interaction in Mobile Group Improvisation. Proceedings of New Interfaces for Music Expression (NIME), Ann Arbor, Michigan, USA.
Lai, C-H. and Tahiroğlu, K. (2012). A Design Approach to Engage with Audience with Wearable Musical Instruments: Sound Gloves. Proceedings of New Interfaces for Music Expression (NIME), Ann Arbor, Michigan, USA.
Tahiroğlu, K., Tanaka, A., Parkinson, A., Gibson, S. (2012). Designing Musical Interactions for Mobile Systems. Proceedings of DIS Conference on Designing Interactive Systems , Newcastle, UK. DIS ’12.
Tanaka, A., Parkinson, A., Settel, Z., Tahiroğlu, K. (2012). A Survey and Thematic Analysis Approach as Input to the Design of Mobile Music GUIs. Proceedings of New Interfaces for Music Expression (NIME), Ann Arbor, Michigan, USA.
Niinimäki, M. and Tahiroğlu, K. (2012). AHNE : A Novel Interface for Spatial Interaction. Proceedings of In CHI ’12 extended abstracts on Human factors in computing systems , ACM, Austin, Texas, USA.
Lai, C-H., Niinimäki, M., Tahiroğlu, K., Kildal, J. and Ahmaniemi, T. (2011). Perceived Physicality in Audio-Enhanced Force Input. Proceedings of the 13th International Conference on Multimodal Interaction ICMI 2011, Alicante, Spain.
Tahiroğlu, K. (2011). An Exploration on Mobile Interfaces with Adaptive Mapping Strategies in Pure Data. Proceedings of the 4th International Pure Data Convention, Bauhaus-University, Weimar, Germany.
Ahola, T., Tahiroğlu, K., Ahmaniemi, T., Belloni, F. and Ranki, V. (2011). Raja: A Multidisciplinary Artistic Performance. Proceedings of New Interfaces for Music Expression (NIME), Oslo, Norway.
Tahiroğlu, K . and Ahmaniemi, T. (2010). Vocal Sketching: a Prototype Tool for Designing Multimodal Interaction.Proceedings of the Conference on Multimodal Interfaces and Workshop on Machine Learning for Multimodal Interaction ICMI-MLMI 10, Beijing, China.
Tahiroğlu, K. and Ahmaniemi, T. (2010). The Effect of Haptic Feedback in Vocal Sketching Experiments with a Graspable Interface. Proceedings of the 5th International Haptic and Audio Interaction Design Workshop (HAID). Copenhagen Denmark.
Tahiroğlu, K. (2009). Dynamic Social Interaction in a Collective Mobile Music Performance.
Proceedings of Social-Com09 Workshops, The First International Workshop on Social Behavior in Music (SBM09), IEEE Computer Society. Vancouver, Canada.
Erkut, C., Jylhä, A., Tahiroğlu, K. and Ekman, I. (2009). Recent Advances in Exploring Self-induced Sonic Interactions in the Context of Performing Arts. Proceedings of the 4th International Haptic and Auditory Interaction Design Workshop (HAID). Dresden, Germany.
Jylhä, A., Erkut, C., Ekman, I. and Tahiroğlu, K. (2009). iPalmas – An Interactive Flamenco Rhythm Machine. Proceedings of Audio Mostly. Glasgow, Scotland, UK.
Tahiroğlu, K. (2009). Towards an Experimental Platform for Collective Mobile Music Performance. Proceedings of the Sound and Music Computing Conference. Porto, Portugal.
Tahiroğlu, K., Drayson H. and Erkut, C. (2008). An Interactive Bio-Music Improvisation System. Proceedings of the International Computer Music Conference. Belfast, Northern Ireland.
Erkut, C. and Tahiroğlu, K. (2007). ClaPD: A testbed for control of multiple sound sources in interactive and participatory contexts. Proceedings of the PureData Convention 07. Montreal, Canada.
Tahiroğlu, K. (2005). Generative Musical Improvisation and Machine Aesthetics. Proceedings of the Mathematics, Art and Cultural Industry Conference. University of Calabria, Arcavacata di Rende (CS)-Italy.
Tahiroğlu, K. (2004). Generative Musical Improvisation for Participants with all kinds of Musical Backgrounds. Proceedings of the International Conference on Generative Art(GA04). Milan, Italy.
Tahiroğlu, K. (2004). From Me to Us, a Computer Generated Music Installation. Proceedings of the Participatory Design Conference (PDC ’04), Vol 2. Toronto, Canada.
B. Non-refereed scientific articles
B3. Non-refereed conference proceedings
Wikström, V., Overstall S., Tahiroğlu, K., Kildal, J. and Ahmaniemi, T. (2013). Audio Guidance in Shaping Flexible Hardware First Prototyping Steps. Position paper, Organic Experiences: (Re)shaping Interactions with Deformable Displays workshop at CHI’13, Paris, France.
Correia, N., Tahiroğlu, K. and Espada, M. (2013). PESI: Extending Mobile Music Instruments with Social Interaction. Work in progress in TEI , February 10-13, 2013, Barcelona, Spain ACM.
Tahiroğlu, K. (2011). Gesture and Body in Enacting Sonic Interaction. International Conference on Music and Gesture : 2nd Musical Itineraries Forum, 28 to 29 October 2011, Lisbon, Portugal.
Benovoy, M., Brouse, A., Corcoran, T.G., Drayson, H., Erkut, C., Filatriau, J-J., Frisson, C., Gündoğdu, U., Knapp, B., Lehembre, R., Muhl, C., Perez, M.G.A., Sayin, A., Soleymani, M., Tahiroğlu, K. (2007). Audiovisual Content Generation Controlled by Physiological Signals for Clinical and Artistic Applications. Proceedings of the eNTERFACE’07 Workshop on Multimodal Interfaces. Istanbul, Turkey, ISBN: 978-2-87463-105-
D. Publications intended for professional communities
Tahiroğlu, K. (2012). Capture the Sound and Release it in the Air: Across the Exploratory and Extensive Sound Interactions. Audio Mostly Conference, 26-28 September. Invited keynote speech.
F. Public artistic and design activities
F1 Published independent work of art
Tahiroğlu, K. (2012). İki El – Two Hands [Recorded by Koray Tahiroğlu]. On Anthology of Turkish Electronic Music [CD]. Brussel: Sub Rosa Records. (Recording date August 2012) (commissioned artwork –international)
Tahiroğlu, K. (2010). Sade [Recorded by Koray Tahiroğlu]. On La-Bas Biennale [CD]. Helsinki: Aureobel 3AB-0110. (Recording date 14 March 2010). (commissioned artwork –international)
Tahiroğlu, K. and Lyytikäinen, J. (2006). SolarDuo Project [Recorded by Koray Tahiroğlu and Joni Lyytikäinen . On ctrl alt del [DVD]. Belgium: Gonzo Circus. (Recording date 19 September 2005). (commissioned artwork –international)
Tahiroğlu, K. and Lyytikäinen, J. (2005). SolarDuo Project [Recorded by Koray Tahiroğlu and Joni Lyytikäinen . On Art’s Birthday reverie : noise city [CD]. Vancouver: The Western Front Society (Recording date 15 January 2005). (commissioned artwork –international)

F3 Public artistic performance or exhibition
Tahiroğlu, K. (2019). NOISA – Network of Sonic Intelligent Agents – Exhibition, AIxMusic Festival, Ars Electronica, 05-09 September 2019, Linz, Austria (refereed art festival –international)
Tahiroğlu, K. (2019). Weighted Blue – Live Performance, 28 March Fylkingen, Stockholm, Sweden.
(refereed art performance –international)
Tahiroğlu, K. (2019). Weighted Blue – Live Performance, 14 Feb 2019 EmuteLab, Brighton, UK.
(refereed art performance –international)
Tahiroğlu, K and Bjelkeborn, T. (2018). KET Conversations, Live Performance Nordic Music Days, 9 Nov 2018, Helsinki, Finland (refereed art performance –international)
Tahiroğlu, K., Girard-Charest E., Lloyda E. and Bjelkeborn, T. (2018). Porting Self, new chamber-music , 19 Oct 2018, Fylkingen Stockholm, Sweden (invited art performance –international)
Tahiroğlu, K (2017) Iki El, Live Performance at Anthology Of Turkish Experimental Music Album Launch Concert at Borusan Music House, Istanbul, Turkey (invited art performance –international)
Tahiroğlu, K (2017) Algorave Tallinn, Live Performance at Üle Heli festival, Tallinn, Estonia (invited art performance –international)
Tahiroğlu, K and Vasquez, J.C. (2017) NOISA Etude #3, Live Performance at International Conference on New Interfaces for Music Expression (NIME), May 15-19, 2017, Aalborg University Copenhagen, Denmark. (refereed art performance –international)
Tahiroğlu, K and Bjelkeborn, T. (2016). KET Conversations, Live Performance Audio Art Festival Krakow, 18 Nov 2016, Krakow, Poland (invited art performance –international)
Tahiroğlu, K and Bjelkeborn, T. (2016). KET Conversations. Live Performance Växjö Festival, 20 Oct 2016, Växjö, Sweden (invited art performance –international)
Tahiroğlu, K. (2016). KET Conversations , Live Performance at International Conference on New Interfaces for Music Expression (NIME), 11-15 July 2016, Griffith University, Brisbane, Australia (refereed art performance –international)
Tahiroğlu, K. and Bjelkeborn, T. (2016). KET Project , Live Performance Cafe OTO, 21 June 2016, London, UK (invited art performance –international)
Tahiroğlu, K. and Bjelkeborn, T. (2016). KET Project , Live Performance DASH’16 Festival, 01 June 2016, Helsinki, Finland (invited art performance –national)
Tahiroğlu, K. (2016). In-Hands , Live Performance STEIM, 5 May 2016, Amsterdam, Netherland (invited art performance –international)
Tahiroğlu, K. and Bjelkeborn, T. (2016). KET Project , Live Performance Metanast Salford Media City, 20 April 2016, Manchester, UK (invited art performance –international)
Tahiroğlu, K and Bjelkeborn, T (2015). KET Project , Fylkingen , 4 December 2015, Stockholm, Sweden (invited art performance –international)
Tahiroğlu, K and Bjelkeborn, T (2015). KET Project , Ga ̈vle Theater , 22 November 2015, Gävle, Sweden (invited art performance –international)
Tahiroğlu, K. (2015) 3 Agents + 1, composition for NOISA instruments, to be performed live at International Conference on New Interfaces for Music Expression (NIME) May 31 – June 3, 2015 Louisiana State University, Baton Rouge, Louisiana, USA
Tahiroğlu, K., Overstall S., Wikström, V. (2013). Design Can Change, International New Media Exhibition, Shenzhen China, 12.5 – 16.6. 2013. (invited art exhibition –international)
Tahiroğlu, K. (2013) Perspectives on Daphne Oram, the Pioneers of Electronic Music Festival, 06 March 2013, London, United Kingdom. (invited art performance –international)
Tahiroğlu, K. (2013) In Hands. live performance at Music Hack Space, 14 February 2013, London, United Kingdom. (invited art performance –international)
Tahiroğlu, K. and Bergmark, J. (2012). Invented Instruments . Live Performance at Colourscape Music Festival, 03 August 2012, Turku, Finland. (invited art performance –international)
Tahiroğlu, K. (2012). InHands: Improvisation for Mobile Phones . Live Performance at International Conference on New Interfaces for Music Expression (NIME), 21 May 2012, Ann Arbor, Michigan, USA. (Performed by Adam Parkinson). (refereed art performance –international)
Tahiroğlu, K., Overstall, S. and Koskinen, T. (2012). AHNE: 3D DJ Interface . Live Performance at International Conference on Eurohaptics, 13 June 2012, Tampere, Finland. (Performed by Tommi Koskinen). (invited art performance –national)
Tahiroğlu, K. (2011). Live Audio Cues. Live Performance at International Pure Data Convention, 09 August 2011- Weimar, Germany. (refereed art performance –international)
Tahiroğlu, K. (2011). Raja. Interactive Dance Performance at Windson, 09 February 2011- London, UK (choreographer Jari Saarelainen and dancers Kiia Elonen, Nora Laitinen, Mia-Mari Sinkkonen and Nina Kivisilta.) (commissioned art performance -international)
Tahiroğlu, K. (2010). Raja. Interactive Dance Performance at Nokia Foundation Awards Ceremony, 11 November 2010 – Helsinki, Finland (choreographer Jari Saarelainen and dancers Kiia Elonen, Nora Laitinen, Mia-Mari Sinkkonen and Nina Kivisilta. (commissioned art performance –national)
Tahiroğlu, K. (2010). Live Audio Cues. Live Performance at Todays Art Festival, 25 September 2010 – Den Haag, Netherlands. (invited art performance –international)
Tahiroğlu, K. (2010). Live Audio Cues. Live Performance at International Sound and Music Computing Conference (SMC), 22 July 2010 – Barcelona, Spain. (refereed art performance –international)
Tahiroğlu, K. (2010). LiveImprovS-. Live Performance at Biennale Festival, 24 April 2010 – Korjamo, Helsinki, Finland.(invited art performance –national)
Tahiroğlu, K. (2010). LiveImprovS-. Live Performance at IDKA Push Festival, 9 March 2010 – Gävle, Sweden. (invited art performance –international)
Tahiroğlu, K. (2009). LiveImprovS-. Live Performance at Make Art Festival, 11 December 2009 – Poitiers, France. (refereed art performance –international)
Tahiroğlu, K. (2009). LiveImprovS-. Live Performance at International Sound and Music Computing Conference (SMC), 23 July 2009 – Porto, Portugal.(refereed art performance –international)
Tahiroğlu, K. (2009). LiveImprovS-. Live Performance at PixelIst Festival, 29 April 2009 – Istanbul, Turkey. (invited art performance –international)
Tahiroğlu, K. (2009). LiveImprovS-. Live Performance at International Linux Audio Conference (LAC), 17 April 2009 – Parma, Italy (refereed art performance –international)
Tahiroğlu, K. (2008). LiveImprovS-. Live Performance at Citysense Festival, 20 September 2008 – Istanbul, Turkey. (invited art performance –international)
Tahiroğlu, K. (2008). Electro-acoustic Music Performance. Live Performance at garajIstanbul, 13 September 2008 – Istanbul, Turkey. (invited art performance –international)
Tahiroğlu, K. (2007). Performance Blue Night. Live Performance at garajIstanbul, 09 December 2007 – Istanbul, Turkey. (invited art performance –international)
Tahiroğlu, K. (2007). LiveImprovS-. Live Performance at International PureData Convention, 23 August 2007 – Montreal, Canada. (refereed art performance –international)
Tahiroğlu, K. and Lyytikäinen, J. (2007). SolarDuo Project. Live Performance at New Music Festival, 04 May 2007 – Istanbul, Turkey. (invited art performance –international)
Tahiroğlu, K., Cuartielles, D. and Thomas, E. (2006). EMI Project . Live Performance at Piksel Festival, 13 October 2006 – Bergen, Norway.(refereed art performance –international)
Tahiroğlu, K. and Lyytikäinen, J. (2006). SolarDuo Project. Live Performance at Ars Electronica Festival, 02 September 2006 – Linz, Austria. (invited art performance –international)
Tahiroğlu, K. (2006). ImproMasters Performance. Live Performance at FYLKINGEN, 05 May 2006 – Stockholm, Sweden. (invited art performance –international)
Tahiroğlu, K., Cuartielles, D. and Thomas, E. (2006). EMI Project . Live Performance at Kokoteatteri, 16 March 2006 – Helsinki, Finland.
Tahiroğlu, K. (2006). Art’s Birthday . Live Performance at NoiseCity Helsinki Event, 14 January 2006 – Helsinki, Finland.
Tahiroğlu, K. and Lyytikäinen, J. (2005). SolarDuo Project. Live Performance at Piksel Festival, 16-23 October 2005 – Bergen, Norway (refereed art performance –international)
Tahiroğlu, K. and Lyytikäinen, J. (2005). SolarDuo Project. Live Performance at 9th International Istanbul Biennial, 16-21 September 2005 – Istanbul, Turkey. (refereed art performance –international)
Tahiroğlu, K. and Lyytikäinen, J. (2005). SolarDuo Project. Live Performance at NoiseCity Helsinki Event , 15 January 2005 – Helsinki, Finland.
Tahiroğlu, K. (2004). Improvisation. Live Performance at International Generative Art Conference, 15 December 2004 – Milan, Italy. (refereed art performance –international)
Tahiroğlu, K. (2004). From Me to Us. Sound Installation at International Participatory Design Conference , 29 – 31 July 2004,Toronto, Canada. (refereed art performance –international)
Tahiroğlu, K. (2004). From Me to Us. Sound Installation at Masters of Arts , 12 – 29 May 2004 – Helsinki, Finland. (refereed art installation –national)
Tahiroğlu, K. (2004). HCO Performance. Live Performance at Le Bas Festival , 07 May 2004 – Helsinki, Finland. (invited art performance –national)
G. Theses
G2. Master’s thesis
Vasquez Gomez, J. (2016). Defragmenting Beethoven: Sound Appropriation as bridge between classical tradition and electroacoustic music. Aalto University
Tahiroğlu, K. (2003). From Me to Us, computer-generated music installation. Master’s theses. University of Art and Design Helsinki.
G4. Doctoral dissertation (monograph)
Tahiroğlu, K. (2008). Interactive Performance Systems: Experimenting with Human Musical Interaction. Doctoral Dissertation. University of Art and Design Helsinki Publications, ISBN: 978-951-558-276-8.
I. Audiovisual material, ICT software
I2 ICT software
Erkut, C., Peltola, L. and Tahiroğlu, K.: ClaPD: a Pure Data library for hand clapping syntesis. Available at http://www.acoustics.hut.fi/software/clapd/
Toikkanen, T., Kligyte, G., Pietarila, J., Leinonen, T., Doyun, L., Tahiroğlu, K., Botero, A. (2003).UNESCO Sound of Our Water. Electronic material-Software.
